OPEN CALL Artist Village Eindhoven 2018 by fariba mosleh

Great news! WARP Art Platform is calling for participants for the upcoming ARTIST VILLAGE in Eindhoven August 2018.

WARP Artist Village offers emerging artists feedback and stimulating input through personal interviews and portfolio reviews with professionals from diverse fields - national and foreign curators, critics, experienced artists, choreographers psychoanalysts and the like. It´s also great opportunity for encounters between other artists.

Check out the OPEN CALL - deadline: 11th of May 2018.


FEEDBACK LOOP by fariba mosleh

After a week full of program surrounding the stay of the Belgium artists in Vienna and their exhibition FEEDBACK LOOP at the Krinzinger Projekte they artists and visitors from Belgium, the Netherlands, Ireland, Slovenia and the UK left. It was such a great experience to cooperate with WARP contemporary art platform. There was so much exchange, dialogue and input for futher projects. Thanks for joining the opening, the portfolio day, an artist talk, the philosophical walk, several openings, etc. We enjoyed the time together.

Warp 2017- Feedback Loop-Digital Invitation-English.jpg

Thank you all for coming, participating, collaborating and sharing*

AIR New York City follow up* by fariba mosleh

We are happy that the artist Florian Nitsch from now on is going to share his experiences of a three-month residency at Guttenberg Arts in New York with us. It´s his fourth week now at NJ. In his blog think PIG he writes about his life as an artist in residence in the city where thousands of artists are proceeding their artistic practise, where there are dozens of openings, performances, etc. each day, where there are countless people from all over the world engaging in the art world ... what´s about the myth of the city of art? How to survive as an artist in New York City?

think PIG is a continuity of the blog Fariba Mosleh published during her working stay at the ISCP International Studio and Curatorial Programme in 2015/16 in the field of arts management, curating and residencies. 

Have fun and follow think PIG here.

 (c) florian nitsch 2017

(c) florian nitsch 2017

*faceless part* by fariba mosleh

It is a really sad occasion to write a blog entry ... can´t believe it´s true ... the fascinating, refreshing, and exceptionally visionary artist Ren Hang died far to young. I was incredibly happy back in 2014 when he contributed to my publication Vienna Chinatown INvisible with his works of the series Faceless Part 1 developed in Vienna during his residency at Q21! He made the catalogue what it should be - a multilayered de-stereotyped, and abstract examination of contemporary society. Ren Hang, thank you for your work. R.I.P.* 

Some impressions from the Germany & Swiss Trip* by fariba mosleh

After visiting the opening of the Kunstenfestivaldesarts and the Short Film Festival in Brussels in May we´ve been to Germany for Florian Nitsch´s exhibition opening at House of Modern Art in Staufen and the opening of Manifesta11 in Zurich.

The trip was a great experience. What people do for money is this year´s Manifesta´s theme. Multiple artistic practices are on display not only in official art institutions but also off the beaten track - at least at Manifesta´s satellite projects which I appreciated a lot. It still seems to be quite hard for curators as well as artists to explicitly engage the community, collaborate and go into dialogues outside the non-vulnerable and hardly accessible cultural hubs. My personal favorite was the cooperation of Palais de Tokyo and ACBRUSH AG.

*a cup of stories* by fariba mosleh

Well, I have to confess that it´s been quite a long time without a blog-entry, BUT there are still a lot of things going on (at least behind the scenes) ... 
This time I would like to invite you to a talk of mine at TBA21 Thyssen-Bornemisza Art Contemporary Augarten / Vienna.
I am invited to talk at the series A cup of Stories #2 about my personal approach to the work with people of diverse backgrounds focusing the book project Vienna Chinatown INvisible.
Looking forward to share some stories with you***

Thanx to Jana Araj and Mo Bu

the good the bad and the art* by fariba mosleh

Frankly? Within this huge amount of spaces, exhibits, galleries, artists and museums, I´ve to confess that there is a lot of artistically worthless, superficial, self-fulfilling garbage on display. Yes, considering the multitude of art shown and artists based in this town, the average quality of contemporary art´s exhibitions is not that convincing. But without being super pessimistic I´d like to point to some great shows I´ve seen those days.

Finally I made it to one of the most promising and seemingly exciting galleries in Bushwick - CLEARING. I didn´t get disappointed, but was really surprised by the clear performative statement of the French artist Lili Reynaud-Dewar´s exhibition I Sing The Body Electric
To see Hans Schärer´s over 100 paintings entitled Madonna at the Swiss Institute in Soho, a governmental representational institution with a quite contemporary open-minded approach, (also concerning the talks, lectures, and performances they organize) was really a pleasure.

The 3o year old(!) Postmasters Gallery in Soho surprised me with the group exhibition this is smaller than this one staging 28 sculptures and objects by young emerging as well as highly established artists and revealing quite specific and currently underrepresented perspectives.

La Mama Galleria last weekend showed four performances under the title again! again! again!. Two or the pieces, performed by quite young artists, completely caught me. Sara Grace Powell in the role of a CEO gave us a humorous but well researched and further invented insight into the possibilities of art supporting companies targeting the market driven art apparatus. Sophia Le Fraga´s anti-play UND3RGR0UND L0V3R5 was strongly pointing to contemporary´s youth culture surrounding human interactions via the medium of smartphones and so called social media, what was unusually funny!  

Last but not least, yesterday opened Eva Kot´átková´s solo exhibition ERROR at the gallery of ISCP New York. The czech artist presents her research and performance related objects, installations and video developed during her artist residency at Bohnice mental hospital last fall.

OK, it´s just great to explore New York´s neither starting nor ending art and culture productions :)

*bliZZart* by fariba mosleh

Finally, the big incredible snowstorm or blizzard makes me doing things I should have done for a long while. Ok, I´ve to confess that I recently have been kind of neglecting this blog regarding my explorations of New York City; instead I´ve not been laid back, but quite actively checking out the diverse, overwhelming and endless cultural production in Manhattan, Brooklyn and Queens.
As one of the new artists at ISCP told me that she actually has been following my text on the never ending art story, I would love to share my recent experiences with you. I´ll give you some insight into my visits of art institutions, museums, galleries, artist-run and project spaces through a compact overview and a summery about what´s going on here ...
First of all, what I come up with represents a tiny little part of what´s all year round going on in this city.
One thing I very quickly learned here - New York is not the city that never sleeps. Concerning the art world there are very strict rules - opening receptions are restricted to a two hour session mostly between 6 and 8pm. Then you are kindly ask to leave ... What a difference to Austria.
Let´s dive into it ...

In this city there are several areas where you can go from street to street and into one exhibition after the other. I show you my personal favorites at the moment.
Before we go to Manhattan we have a view onto it via Socrates Sculpture Park in Queens, a great public space which celebrates its 30th anniversary in 2016. Each year it hosts young emerging artists to experiment with building permanent as well as temporary installation and sculpurtes in a wonderful park on the riverside.

Off to Manhattan. 
Though I am not a big fan of the Chelsea galleries as this area looks like a large scale art fair - each buildings hosts a massive gallery which appears like a booth - naturally there are many exciting solo shows on display. Lucy and Jorge Orta just opened their first solo exhibition in New York at the Jane Lombard Gallery. Antarctica leads you via highly aesthetic installations into the unknown world of their expedition to the south pole in 2007 and for me is a must see.
To the south of Chelsea, we can´t pass it, the huge Renzo Piano-designed Whitney Museum arises on the Hudson Riverside. Even though it´s far too monumental and overloaded with too many works the Frank Stella Retrospective is more than worth seeing. I am especially attracted to his early (black)paintings and the small wall installations of the 1960s - appearing as kind of scetches for the large ones which were following.
What really attracted me was the the video installation Everything and More by the extremely young and perfectionist artist Rachel Rose; the site-specific work is not only aesthetically appaling but takes you beyond the beautiful onto a journey rethinking human´s voracious desires

To Soho we go.
Starting with a visit of the Donald Judd House in 101 Spring Street, which completely blew my mind. This visionist spacial and artistic thinking is crazy. Judd bought this five story, former textile factory in 1968 for $ 68.000 and made an incomparable working, showing and living space out of it. This building limited to guided tours by appointment is an absolute must for art and design lovers visiting New York.
Louise Despont´s latest work is presented at the Drawing Center in a very thoughtful architectural intervened space. Entering the exhibition you are invited to take off your shoes and linger. I especially appreciate Despont for inviting the conceptual artist Aaron Taylor Kuffner for perfectly complements the drawings.
Next street, the Collective Total Effekt consisting of three Swedish artists is currently hosted by Recess working process-oriented on their Living magazine. You are welcome to visit them in there working and presenting space throughout their residency.
Peter Freeman Gallery shows the New York based American artist Alex Hey´s works from the 1960s to the present in the large scale but really worth visiting exhibition Circumstances.

My Lower East Side of town.
Well, Gallery128 does not currently convince me with its program, but I really appreciate this space, as it is run by an impressing Japanese artist, who has been the former assistant of Sol LeWitt. She takes risk in her space showing diverse people and told me that her gallery is the oldest in the Lower East Side - the area I love most for exploring contemporary art in New York. Among other shows and spaces which are currently worth to see there is Chuck Manion`s work at Turn Gallery. The adventurous gallerist celebrates this tiny but very welcoming gallery´s first aniversary right now. Manion, who turned to commercial fishing not willing of being part of the art world game, was now invited to show his quite unique abstract picture language at Turn; there he shows oil paintings on different kind of nets over selfmade wooden strechters. Turn Gallery´s next opening is on February 24th presenting the first solo show by the wonderful Swedish sculptor Carl Boudart, resident at ISCP.
Just around the corner, the New Museum interacts with it´s audience through the Mexican artist Pia Camil´s show A pot for a Latch. More or less daily objects of life are installed in the ground floor´s gallery and will be developed through Saturday and Sunday exchange sessions.

Back over the Williamsburg Bridge.
Besides, the many spaces I have been introducing to concerning Brooklyn´s vast exhibition scene at the moment there is Nona Faustine´s solo show at the studio program Smack Mellon. I have seen one of her White Shoes pieces before at the Studio Museum and love this work dealing with New Yorks past and present of slavery and everyday´s racism in a very sensitive vulnerable way.

Sad but true in times like these where daily informal as well as institutionalized racism is flourishing again and (not only) in the center of Europe we need works like those - facing social realities!