Friday Night with babysitter means that we start the evening with the double opening of the exhibitions of US artist Ellen Gallagher and Belgian artist Benoît Platéus. Under the title Liquid Intelligence Gallagher, who’s partly living in Rotterdam, presents her wide spanning painterly œvre as well as works she developed together with cineaste Edgar Cleijne. I very much appreciate the diverse materials and her special use of those. In the upper floor one can find the audio-visual installation Osedax from 2010 with a fantastic soundtrack Message From a Black Man by the ’70s soul group the Whatnauts.
Under the title One Inch Off Platéus presents a far-reaching body of works as well, whereas for me his photographic gaze is the most interesting one.
Always a bit oscillating between the visual and the performing arts, as I am, we left WIELS for the opening at Beursschouwburg of the NORMAL SCHNORMAL Festival. The months February, March and April they opening up their house with its diverse spaces (Stages, Black Box, Exhibition space, Café, etc.) for A multidisciplinary programme on normality and other deviations inviting a countless number of (inter)national artists sharing their artistic practice on this discourse …
We had the opportunity to see the artist Ntando Cele’s piece Black Off , a performance in three parts, first white-facing in the role of a stand-up comedian, then becoming very intimate and personal with her “natural” appearance uncovering her face from the white mask in several monologues, ending in a punk-rock concert … all offering a personal perspective on racism and socio-political topic, supported by live sound of a trio around the musician Simon Ho. I like Cele’s humorous as well as very serious approach a lot, but still I believe that the whole performance, taking 2 hours, lost a bit of its power by not stopping at the right, earlier, moment.
For the whole blog of the brusselsARTproject click here.