#kaaistudios

*to the monastary to fort beau and back - another day at performatik* by fariba mosleh

Well, all of a sudden I kind of stepped into it and found myself in the middle of a ritual area with soil and candle light all over accompanied by video projections introducing the rituals and sound as well as some people participating in the rituals -THE MONASTARY Bardo Stastes, a live ritual by Ella alias Elke Van Campenhout and Rovert Steijn presented by Zsenne Artlab.
In the center of attention a pile of soil with one person resting and mediating buried beneath it already nearly for 6 hours that day and about half an hour before excavation.
I haven’t been involved in formal rituals for an indefinite time. The whole ritual installation was divided into the DIY stations for individual ritual practices (introduced via descriptive video projections and text sheets) dealing with the process of dying and death, and the into soil buried body of the performance artist Ella soon to be excavated through a common ritual of all the people in the space. Even though it was all about the process around death it was such a wonderful atmosphere calming down people’s busy and multi-focused minds. The practice was inspired by Tibetan buddhism rituals of bardo states within the biennale for performance art. It was such a privilege to be part of that practice today*

An hour later a few meters further at Kaaistudio’s a lecture performance by Pieter van Bogaert on his book in progress Fort Beau. Chapter1: The end started within Performatik19.
Pieter van Bogaert introduced himself as being not a performance artist but an art critic and sometimes curator and well, this introduction became program. Although he touched interesting topics and fantastic artists like Bas Jan Ader and his falling and failing series, it was not more than a lecture and for me personally quite inexpressively after the strong bardo states practicing.

For the whole blog of the brusselsARTproject click here.

La danse avec le canard* by fariba mosleh

Chesterfield - sofas, sometimes endlessly long, always leather … the Austro-Frensh dancer and choreographer Alix Eynaudi with history at Rosas and P.A.R.T.S. showed her latest piece Chesterfield at Kaai Studios. Based on the research at Vienna’s Volkskunde Museum she developed an object based dance performance for brut Wien last year, now touring. Lucky me that I could see the production my Alix whom I know from Vienna. She performed with the 3 other dancers Mark Lorimer, Quim Pujol and Cécile Tonizzo. It is a strong, partly silent and poetic as well as intimate performance. Absolute highlight for me was Alix’s appearance performing with a leather duck with luminous eyes.
Take your chance to see it at BUDA in Kortrijk in February for instance.

(C) Christine Miess

For the whole blog of the brusselsARTproject click here.